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Masqualero, the latest typeface from the Monotype Studio, is a luxury serif typeface that dresses-up your words. Designed by Jim Ford. #MeetMasqualero
Global forces are leaving consumers disconnected and disillusioned. Is your brand struggling to restore battered consumer faith? Monotype, Olapic and The Future Laboratory investigate brands who are winning trust in a post-truth world.
Monotype's Dr. Nadine Chahine discusses Monotype and MIT AgeLab's new design and legibility research group.
Adrian Shaughnessy pens a love letter on the album covers that inspired his love of type in The Recorder, Issue 4.
A new version of Kabel brings the classic 1920s geometric sans serif up to date, delving back into archive drawings to pay homage to the original intentions of its designer Rudolf Koch, and re-shaping the typeface for contemporary use.
Writer Madeleine Morley meets Stockholm’s Snask, whose larger-than-life typographic sculptures are proof that, sometimes, there’s just no beating the old-fashioned way...
Monotype’s Toshi Omagari worked with DesignStudio to create a hard-working geometric sans serif for Premier League that could confidently perform across a huge number of mediums – from screens and shirt numbers to TV and league tables.
In this posting, Tom shares his research surrounding potential use cases for designers and developers and introduces Monotype’s first variable font prototype.
Veteran type design Tom Rickner discusses the 25 year history behind the events which led to the OpenType 1.8 variations announcement.
Check out our second installment of our Hidden Gems series. We are re-introducing you to Gneisenauette, which is described as urgent, punchy, weird, energetic. http://glassdoor.com/slink.htm?key=vQaMA